“Anthropogenic #6” is part of the image series “How we Bleed the Earth, our Guilt and Shame” A series of images portraying the impact of humankind’s destructive industrial practices on the natural environment. The images portray the terrible beauty of mining’s toxic impact on the land, whilst serving as a reminder of man’s folly.
Human impact on the environment or anthropogenic impact includes changes to biophysical environments and ecosystems, biodiversity, and natural resources. This affects global warming, environmental degradation such as ocean acidification, mass extinction and biodiversity loss, creating an ecological crisis, and ecological collapse. Modifying the environment to fit the needs of society is causing severe effects, which become worse as the problem of human overpopulation continues.
The opencast mines of Rio Tinto have been excavated since the 19th century, providing heavy metal ores such as iron, copper, silver and gold. Mountains, valleys and villages have disappeared from the hungry machinery devouring the land implacably, year after year. Giant scars on the landscape have been referred to as otherworldly with terrible hues of blue, green and red. The runoffs from these mines have created an eerie blood red flow in the river, hence the name Tinto. The river flows to the gulf of Cadiz carrying high acidity levels and heavy metals, in effect making this an environment disaster, a toxic reminder of human’s ability to irreversibly destroy the landscape in the name of corporate profits, a legacy of greed for future generations.”
Our Signature Collection is designed to be at the very pinnacle of image quality and fine art presentation. We make no compromise in terms of image quality, material or craftsmanship.
Your chosen art piece is offered from a maximum collection of 150 worldwide, across all sizes manufactured. Each piece is handcrafted to absolute perfection, using only the finest museum-grade art materials in the world, signed, numbered and presented with a unique Certificate of Authenticity. Each Certificate of Authenticity has a unique edition number and is handwritten and signed by the Artist.
“Anthropogenic #6” is offered in three exquisite art mediums; Hahnemühle Photo Rag Baryta Paper, ChromaLuxe® Fine Art Metal Print and the industry-leading gallery quality TruLife™ Acrylic Face Mount.
Hahnemühle Photo Rag® Baryta
Hahnemühle Photo Rag® Baryta is a pure cotton paper with an inkjet coating that has been perfectly optimised for the needs of FineArt applications. The natural white paper comes in a pleasant, warm shade of white and contains no optical brighteners. The exquisite surface texture gives the paper a lovely, delicate feel while at the same time lending it an artistic note. In combination with the high-gloss premium inkjet coating, it produces stunning print results with outstanding reproduction of color and detail, deep blacks and perfect contrasts. The combination of the cotton artist paper and the high-gloss inkjet coating lends FineArt prints a striking character with a beautiful, elegant sheen, without glare. Photo Rag® Baryta is acid- and lignin-free and meets the most exacting requirements in terms of age resistance.
• 315 gsm, 100% cotton
• White, without optical brighteners
• Exquisite surface texture
• High-gloss premium inkjet coating for outstanding print results
• Acid- and lignin-free
• ISO 9706 conform / museum quality for highest age resistance
ChromaLuxe® Fine Art Metal Print
ChromaLuxe® Fine Art Metal Prints are produced using Dye-Sublimation technology to infuse inks into specialized aluminum panels that have been finished with a fine multiple layer polymer. ChromaLuxe’s archival qualities, image brilliance, and durability set it apart from all other photo print mediums and provide excellent image clarity and contrast.
The ChromaLuxe Fine Art Prints are finished with an aluminium wall float system for effortless hanging on delivery. No exterior framing is required.
TruLife™ Acrylic Face Mount
The frameless acrylic face mount offers an incredibly modern and brilliant display that no other art presentation can match. Each piece is handcrafted to absolute perfection. We make no compromise in terms of image quality, material or craftsmanship.
The FujiFlex Crystal Archive prints are professionally mounted face-first onto 1/8″ TruLife™ acrylic with diamond polished edges. The TruLife™ acrylic is then mounted to sturdy aluminum Dibond® backing, known for its remarkable stability and low weight.
This unique mounting solution protects the piece from dust, humidity and UV rays to prevent fading while showcasing the impeccable image quality, with a vibrant clarity of colors and remarkable depth of contrast.
Each piece is delivered with a French cleat system for effortless hanging on delivery.
TruLife Acrylic features a single-sided virtually invisible anti-reflective coating allowing viewers to see the finest details. TruLife also is UV-filtering, abrasion resistant, and anti-static offer uncompromising protection and preservation.
Unlike traditional glass, where light simply passes through, the light refracts within the acrylic creating remarkable depth and brilliance. Details appear to emerge in 3D and light-activated silver halide give the artwork the appearance that it`s being illuminated from behind.
Fujiflex Crystal Archive is a highly specialized and superior photographic material. Fujiflex is a silver halide based polyester that produces exceptionally high quality, high gloss photographic prints that contain vivid colors and remarkable archival properties.
Unlike inkjet printing, printing to Fujiflex Crystal Archive is a specialized process using Chromira LED exposure technology. Photographs are not printed to the Fujiflex polyester material, they are exposed into the silver halide base with red, green and blue LED globes. The exposed Fujiflex is then processed in photographic chemistry to produce archival Digital C type photographic prints that we feel show the true beauty of our photographs.