“The Narcissus complex was first ingrained in Greek mythology and subsequently appropriated by the Romans within their own mythology dubstep. Throughout history, tribes have demanded a specific appearance or certain standards of beauty, often dictated by patriarchal enforcement. The current global society merely consists of many larger tribes, connected through the illusory hyperreality of the internet, and at the not-so-transparent claws of industry.
Standards of beauty, specific body features, and the quest for contentment through physical appearance have been commercialized for centuries. Ancient Greek standards of beauty have permeated all Western cultures and provided an irresistible opportunity for commerce to monetize a false perception of beauty. Since very few humans fit the idealized physiognomy, it is implied that we should spend large sums on a myriad of beauty products, diets, instantaneous surgical transformations, snake oil remedies, and trendy exercise contraptions; a false perception leading billions of customers to embrace the poisoned cool-aid of the industry.
Social media, the fantasy world of non-connections with its cruel judgmental pathology and constant peer pressure, has encouraged us to alter our appearance in order to be accepted in whatever sub-tribe we seek to join. As another highly profitable branch of industry, with data mining, manipulations, and intrusions, social media has idolized false standards of beauty, often leading to a self-destructive sense of self, further isolation, and an escape into a fantasy world.”
The “Dysmorphobia” image is an actual photograph and what the camera recorded at the time of capture. It is not created on a computer. The distorted abstract reflection of the subject matter is created by ripples in the water surface, distorting the mirror effect seen underwater. The image is rotated 90 degrees in reference to the surface of the water. You can read more about the Underwater Study series in this link.
Dysmorphobia refers to a subjective feeling of ugliness in a person of normal appearance. It may occur as part of a schizophrenic psychosis, an affective disorder, or as an obsessional or phobic-like complaint.
Dysmorphophobia, also known as body dysmorphic disorder (BDD), is primarily characterized by fixation on an imaginary flaw in physical appearance.
Our Signature Collection is designed to be at the very pinnacle of image quality and fine art presentation. We make no compromise in terms of image quality, material or craftsmanship.
Signature Edition photographs are offered in limited edition runs of 150 large format fine art prints and TruLife Acrylic pieces. Once the edition sells out, there will never be another reprint of that photograph.
Each piece is handcrafted to absolute perfection, using only the finest museum-grade art materials in the world, signed, numbered and presented with a unique Certificate of Authenticity. Each Certificate of Authenticity has a unique edition number and is handwritten and signed by the Artist.
“Dysmorphobia” is offered in the industry-leading gallery quality TruLife™ Acrylic Face Mount.
Fujiflex Crystal Archive
Fujiflex Crystal Archive is a highly specialized and superior photographic material. Fujiflex is a silver halide based polyester that produces exceptionally high quality, high gloss photographic prints that contain vivid colors and remarkable archival properties.
Unlike inkjet printing, printing to Fujiflex Crystal Archive is a specialized process using Chromira LED exposure technology. Photographs are not printed to the Fujiflex polyester material, they are exposed into the silver halide base with red, green and blue LED globes. The exposed Fujiflex is then processed in photographic chemistry to produce archival Digital C type photographic prints that we feel show the true beauty of our photographs.
TruLife™ Acrylic Face Mount
The frameless acrylic face mount offers an incredibly modern and brilliant display that no other art presentation can match. Each piece is handcrafted to absolute perfection. We make no compromise in terms of image quality, material or craftsmanship.
The FujiFlex Crystal Archive prints are professionally mounted face-first onto 1/8″ TruLife™ acrylic with diamond polished edges. The TruLife™ acrylic is then mounted to sturdy aluminum Dibond® backing, known for its remarkable stability and low weight.
This unique mounting solution protects the piece from dust, humidity and UV rays to prevent fading while showcasing the impeccable image quality, with a vibrant clarity of colors and remarkable depth of contrast.
Each piece is delivered with a Metal Inset Frame for effortless hanging on delivery.
TruLife Acrylic features a single-sided virtually invisible anti-reflective coating allowing viewers to see the finest details. TruLife also is UV-filtering, abrasion resistant, and anti-static offer uncompromising protection and preservation.
Unlike traditional glass, where light simply passes through, the light refracts within the acrylic creating remarkable depth and brilliance. Details appear to emerge in 3D and light-activated silver halide give the artwork the appearance that it`s being illuminated from behind.